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In this timely study, Batra examines contemporary drama from India, Jamaica, and Nigeria in conjunction with feminist and incipient queer movements in these countries. Postcolonial drama, Batra contends, furthers the struggle for gender justice in both these movements by contesting the idea of the heterosexual, middle class, wage-earning male as the model citizen and by suggesting alternative conceptions of citizenship premised on working-class sexual identities. Further, Batra considers the possibility of Indian, Jamaican, and Nigerian drama generating a discourse on a rights-bearing conception of citizenship that derives from representations of non-biological, non-generational forms of kinship. Her study is one of the first to examine the ways in which postcolonial dramatists are creating the possibility of a dialogue between cultural activism, women’s movements, and an emerging discourse on queer sexualities.
- Sales Rank: #6343397 in Books
- Published on: 2010-12-07
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .50" l, 2.38 pounds
- Binding: Hardcover
- 194 pages
About the Author
Kanika Batra is Assistant Professor in the Department of English, Texas Tech University
Most helpful customer reviews
1 of 1 people found the following review helpful.
Excellent
By Mandisa
This is without a doubt one of the best books on postcolonial drama out there and also one of the best on feminism and queer activism in theater and performance. Batra has a deep understanding of the societies that she studies, as well as an ability to skilfully combine feminist analysis with theater and performance and political science without any one discipline dominating the discussion. I also appreciate the fact that there is an amazing clearness and succinctness to her writing even though her analysis is complex. Most writers cannot achieve that, especially in a first book.
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