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That's the Joint!: The Hip-Hop Studies ReaderFrom Routledge
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This newly expanded and revised second edition of That's the Joint! brings together the most important and up-to-date hip-hop scholarship in one comprehensive volume. Presented thematically, the selections address the history of hip-hop, identity politics of the "hip-hop nation," debates of "street authenticity," social movements and activism, aesthetics, technologies of production, hip-hop as a cultural industry, and much more. Further, this new edition also includes greater coverage of gender, racial diversity in hip-hop, hip-hop’s global influences, and examines hip-hop's role in contemporary politics.
With pedagogical features including author biographies, headnotes summarizing key points of articles, and discussion questions, That's the Joint! is essential reading for anyone seeking deeper understanding of the profound impact of hip-hop as an intellectual, aesthetic, and cultural movement.
- Sales Rank: #45277 in Books
- Published on: 2011-08-04
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x 1.60" w x 7.20" l, 2.90 pounds
- Binding: Paperback
- 776 pages
Review
"Hip-hop, like all living artistic expression, constantly regenerates, turning innovation into convention, ‘datcourse’ into discourse, vernacularisms into commodity or the precious art object. As this second edition of the groundbreaking That’s the Joint! shows, hip-hop scholarship has done the same: moving, grooving, breaking, and sampling the best ideas from an interdisciplinary community theater of writers whose insights chart a vibrant sector of the American musical landscape."
--Guthrie P. Ramsey, Jr., Edmund J. and Louise W. Kahn Term Professor of Music, University of Pennsylvania
"A standard bearer text in Hip Hop Studies. Sweeping in scope and rigorous in analyses."
--T. Denean Sharpley-Whiting, Gertrude Conaway Vanderbilt Distinguished Professor of African American Diaspora Studies and French, Vanderbilt University
"I'm going use this book when I teach US history to high school students from now on. In the past decade there's been a mania for all the music and fashions of the early 1980's, which none of the aficionados are old enough to remember. It would be wonderful for them to learn where it all originated."
--Ben Wolinsky, Blogger on Olive Branch United
About the Author
Murray Forman is Associate Professor of Communication Studies at Northeastern University. He is the author of The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (Wesleyan University Press, 2002) and the forthcoming One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television (Duke University Press, 2012). He is a past recipient of a National Endowment for the Humanities Research Fellowship.
Mark Anthony Neal is Professor of Black Popular Culture in the Department of African and African-American Studies at Duke University. He is the author of four books, What the Music Said: Black Popular Music and Black Public Culture (1998), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002), Songs in the Keys of Black Life: A Rhythm and Blues Nation (2003), and New Black Man: Rethinking Black Masculinity (2005), all published by Routledge. Neal hosts the weekly webcast, "Left of Black" in collaboration with the John Hope Franklin Center at Duke University. A frequent commentator for National Public Radio, Neal maintains a blog at NewBlackMan (http://newblackman.blogspot.com). You can follow him on Twitter @NewBlackMan.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Keeping Up with a Fast-moving Genre!
By Deborah A. Dessaso
I applaud authors Forman and Neal for this book. Too many young people are clueless to the fact that hip hop is more than gangsta rappers in baggy pants and foul lyrics. In fact, gangstas represent only a small segment of the culture, although the public tends to see more of this because--face it--it sells. But if you want a global perspective on what is perhaps the most influential cultural development the world has seen in a long time, That's the Joint is a good place to start! I'm teaching a college course on "Writing the Thug," and this is a suggested reading.
2 of 3 people found the following review helpful.
Rushed to print
By Luminous
Clear that this edited volume was rushed to print. Publication date got moved back a few times. Problem with books like this on Hip Hop culture, is that Hip Hop moves so fast that many of the pieces, while interesting become aged very quickly. Not to say the more "historical" pieces won't continue to be relevant, but that some of the understandings of people, places, etc., can and have changed in a few short years since those chapters/articles were yanked in to this volume. Pretty good organization of materials but really hard to justify purchase when so many of the articles are going to be easily accessible to University Students.
0 of 0 people found the following review helpful.
Great for research
By Kymona C. Singleton
If you are doing a research paper on any topic involving either hip-hop or even social issues discussed in hip-hop such as crime, gender inequality, masculinity, culture of poverty etc this is a great tool. I bought it thinking I would have a book I could read front to back but it should not be read like that. But an awesome tool with many thought provoking articles.
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